nice price deal !!! incl. les petit pilous rmx its not easy to forgive the vichy collaborator swine for helping nazis rule europe for 6 years, and as you might know...we at turbo are very much against nazis, in fact we recently refused to release a pretty good demo by a 92 year old >paraguayan< named klaus, cuz i just didnt like his vibe (or his track titles: >i got gold (hidden)< and that killer a-side >caught! (can i get a passport)<. but enough about nazis... i was talking about french people. ok, so they are annoying as hell, and they hate you, and they talk french... but they also make amazing luggage and bread. while working on the plans for my new boat,thomas von party kept annoying me with >work< thins like >we got more demos< and there is a fire at the office and i think oliver is seriously burned, he needs help<....so i was like, >ok, any good demos?<

nice price deal !!! youth blood has been creeping up on everyone. originally released on trouble & bass scion a/v vol. 25 compilation cd, this tune was reworked in the fall of 09 and released with a slew of remixes in dec of 09. one of the many hard hitting remixes featured on the remix ep was bok boks remix that has caught everyone off guard. as boomkat best described it: >the funky upstart makes great use of the originals tangfastic synths while adding his own darkside bass hum and clacking riddim syncopations, doing it proper disco 3000 styles.< and by popular demand, we bring you this rare and exclusive white label 12 inch featuring bok boks remix of youth blood! these are two artists to watch in 2010!

die großen hits der rocksteady-Ära von duke reid sind auf diesem album zusammengefasst. auf 180g vinyl gepresst und von den original-masterbändern gemastert, ist diese rarität nach mehreren jahrzehnten nun wieder auf vinyl erhältlich. seit den 60er jahren produzierte duke reid auf jamaika ska und rocksteady. sein tonstudio war die erste anlaufstelle für diesen sound, das label trojan (auf dem diese compilation erscheint) hat sich nach dem soundsystem-truck von duke reid benannt. duke reid liebte amerikanischen jazz und blues und ließ diese leidenschaft in die produktionen einfließen. seine produktionen gelten bis heute als weit ausgefeilter als die der konkurrenz. diese kopplung enthält jede menge raritäten, aber auch welt-hits wie “the tide is high” von den paragons.

after spending the majority of 2009 in hollywood, chanes briefly returned home to finish up songs for what would become his 2010 release, an experimentation in instrumentation. the 15-track tape, presented by house shoes, exposed us all to the nomadic 21-year-old producer from canton, michigan. chanes would spend the next two years working between home and brooklyn, before relocating to arizona, where he would release his follow up project, renegade hands, (insect records 2013). presented again by shoes, hands solidified chanes as one of the most promising young producers in the country.
fast-forward to 2016, and at 27, this self-titled debut takes us circa 2007 - 2009 with the soul-chopping salad days of his mother s basement, through the alternative sampling williamsburg, brooklyn sessions of 2010. if the melancholy desert psychedelia of his isolated four years in perpetual southwestern summer gives us a glimpse into his growing electronic influences, then the angst of his winter homecomings are hiding under the aggressive parka weather beats that first caught the attention of detroit’s underground.
fittingly, chanes’ debut lp comes full circle, finishing the album back in the place it all started and releasing it with long-time supporter house shoes and street corner music.

ltd 2016 repress... you aint got no kind of feeling inside. i got something that will surely set your stuff on fire you refuse to put anything before your pride what i got will knock all your pride aside you may have caught pride in recent jackmaster and spencer sets over the past few months, but were letting it out in the wild now. the simplicity of the elements is the strength here - the creeping discord of the piano, the slow sub rolls, the sheer power of the vocal - baked together with sharp drum boxes, space echoes and advs years of production wisdom. the celestial mr fingers inspired tones of first time provide the flip

hailing from mexico, zombies in miami have caught the ears of the electro disco faithful with outings for correspondent and love on the rocks. the twosome are debuting on bordello a parigi with a pair of late night burners. turquoise is a sliding snaking piece of synthesizer sorcery. crisp beats are draped in hazy harmonies, reverb soaked bars rising amongst soaring keys and echoed vocals for a work of true elation. hipodromo follows, and starts as it means to go out. drums crash before a floor melting synthline is dropped. the swirl of the mirrorball takes over as this duo whisk you into the warm and melting sounds of strings, rich bass and climbing claps.

answer code request picks up where he left off with his album (code, ostgut ton, 2014) and 12“ (calm down, mdr, 2015): with the neume ep the berghain resident offers three new tracks, meandering between restrained club contexts and brittle break beats, machinery and futurist soulfulness. the eponymous track “neume” starts off on a with shuffling rhythms atop a heavy kick, soon caught up by first surging then predominant drone motifs, flashing bleeps and piercing strobe sounds. “meta” on b1 clocks in instantly without any build-up: its rhythm section sets the tone with broken beats while acr slowly carves out more musical detail and textures: subtle command vocals from the machine room, swelling synth pads and other chilling, athmospheric means are subsequently being added until the track’s break where the emphasis shifts towards the kick, pads and synth melodies until the track’s sustained, smooth outro. “vis” on b2 is the ep’s most protruding track: classic uk garage shuffle rhythms and amen breaks are contrasted by a funky kick and dreamful pads, intertwined with additional sparse percusion, layered with what in the first instance sounds like chirping birds but then like sparking wires. answer code request continues what he does best: combining the warm human touch with chilled alienated aesthetics.

basil & rogers is a sleazy, california disco duo made up of heru (dj) johnny basil and body rogers. basil, a multi-instrumentalist, long-time record collector, and energy healer is a man that s been making music for a long time under many different guises and in many different styles. heru avenger (acid/psych rock), non stop (electronic/free jazz), baast (kraut rock/jazz funk), and kandi jones (slut rock) are just a few of his projects, past and present. most of this music has been around for the entirety of the 90 s and 2000 s without being heard because despite basil s outspoken appearance (described by many as looking like iggy pop s twin brother and would never be caught wearing a t-shirt no matter the location) he s very quiet about his musical output. body rogers is also part of the non stop group and is a master of electronics and engineering. on the basil & rogers project the two have made a disco 12- that is influenced by classic-era dance music while still being completely unique and far from conforming. it s crazy, it s sexy, and it s sleazy. tune in .

returning to music is love after his 2 sell out records is the man liam geddes, and we think this time we ve caught him at his purest. this ep is absolute fire! his 3rd outing for the label is a deep and dubby affair but with a musicality and rhythm thats going to make this one popular with a wide range of djs.

juan atkins and moritz von oswald – the two indispensable protagonists of the electric garden – plug back into the wilderness. ‘transport’ – the new full length effort of the borderland collaborative project – brings together a new set of studio-refined sequences aimed at colonizing some of the dark energy that pulsates through those areas that are thoroughly electrified, even if not ‘on the grid’. ‘riod’ is the first streak to bolt through. the detroit-berlin axis triangulates to a third point which, like the atomic particle that lives in two places at once, flickers between a form of techno-charged ambience and a futuristic club-jazz which cannot be broken down into constitutive parts. borderland remains caught in a state of enraptured stillness, invisibly moving between every imagined future for electronic sound making. the result: a font from which springs serene and exhilarating musical ideas that vibrate with refined energy for sixty seconds in every minute.
the vinyl release includes a download code.

bad taste recordings hit 2016 in severe kinetic style with a fresh pair of tracks launching the identity of malux, the new neurofunk-focussed moniker of established bass producer skope (inspected). with turbine and fonk the agenda is clear – energetic, funk-fuelled dnb driven by detailed low-frequency design and a boisterous rave vibe.
turbine carries with it a stripped aesthetic, with a percussive pattern driven by the snare and wonky plucked synth work. this is heads-down, bassface material for ravers to get into step to.
fonk on the flip hits a cheeky upbeat tone, switching slickly between bass textures punctuated by staccato sonic fragments.
with support from scene titans such as andy c, the upbeats and radio play from friction on bbc r1 and crissy criss on kiss fm, malux has immediately caught the attention of those who know. bad taste hits the nail on the head again, introducing another name with a big destiny into the halls of dnb.

motormännen has made a huge impact in sweden with its unique & successful information techno. informal, their debut album has been praised countless times by the press and caught the attention of swedens hottest techno producers as manic brothers, inter gritty, nima khak & ragnar atari takes the concept of swedish welfare into the darkest and hardest corridors of techno.

jacob bellens new solo album polyester skin is set to amaze left-field pop enthusiasts and singer songwriter-fans alike. the locally celebrated and award winning singer songwriter jacob bellens is ready to release his first internationally signed solo album polyester skin through hfn music.

mikal is a producer who has made a name for himself by making stand out drum & bass tracks that have caught the attention of djs and listeners alike, he has released on a multitude of labels but it is metalheadz that are releasing his debut album.
the album is called ‘wilderness’ and it was very much worth the wait. a no nonsense statement of intent from the bristol based produced who has been quietly working away in his studio and is now ready to show the world his work, collaborations on the album come from chimpo, xtrah, break, riot and sophie barker.

following the debut ep from label owners julien sandre and konstress, blind box comes back with the second release, signed by utrecht-based hot young producer julian alexander. established member of the infamous slapfunk crew, this bad boy caught the attention of the biz with his powerful old school flavoured minimalism, by the likes of people like brawther and tristan da cunha who packed a whole ep for their dungeon meat. when julian meets blind box, his deepest side shows up. two stunning bass heavy journey and a full analogue locked groove on b3 to define the entrancing vibes you ll find out of the box. on the a2 track we got remix courtesy of one of the finest producers of the underground scene, samuel andre madsen aka s. a. m. (oscillat, delaphine, fathers & sons productions, concrete). the spiritual side of the amazing mandar project reshapes lizhi with a concentrated beam of deepness, surfing through some serious 909 beats. blind box team also got a treatment for all the way , adding to the b side the deep and groovy sound that marked them out so far. once again, a release you re definitely not gonna miss.

its been two years since tagwell woods first appeared on w.t. records. his rich and refreshingly unique techno style caught the ears of the faithful. finally, finally, the londoner is back on vinyl with six pieces of his original brand of machine music. and the wait is worth it.

agostino casillo, born in 1985, begins to approach music in the late 90s, influenced by the house sounds that characterize those years. never shut up in one genre, his desire to experiment led him to deepen the knowledge of all the trends related to electronic music, from house to techno, from deep to nu disco. out of every scheme, his productions are very eclectic. he is currently resident in one of the most innovative party of neapolitan underground scene, nice to be. in 2013 he release his first track “sick” on stop clone music, in january 2015 his second track “my vision” was released on “nice to be records”. make it right ep is an abstract of all is musical background caught up into four great tracks.

candido cameron was a cuban percussion maestro who had played with luminaries such as dizzy gillespie, buddy rich and count basie throughout his illustrious musical career which started in 1952. fast forward to 1979 and candido finds himself caught up in the disco boom that had engulfed his adopted new york city. feeling he could add his trademark quick-fire conga and bongo playing to disco s straight 4x4 syncopated rhythm he cut some records with legendary nyc label salsoul. the fruits of this partnership were 2 full length lp s and a handful of 12inch singles that changed the face of underground disco.

moresounds has left the training camp and is now at the controls of his own craft. a dub fanatic, he stays true to the techniques of king tubby, and from behind his desk sends dancefloors crazy with pinches of hip-hop and jungle in his authentic and energetic live show. this approach caught the attention of om units cosmic bridge label in 2012 before his debut ep on astrophonica in 2013. since then his music has appeared on doc scotts 31 recordings and has added trademark cosmic dub seasoning to machinedrums vapor city project. an impressive start to his career, echoed in fact magazines inclusion of the producer as one to watch in 2015.

18+ return with their they remixes ep, a collaboration with artists they respect and admire, with a purpose to reinvent their favourite tracks taken from their critically acclaimed debut album trust . featured artists include the distorted trap beat darling suicideyear (prod. for yung lean), experimental grime producer mr. mitch, and the cult portuguese collective tia maria producoes. the final feature is relatively unknown puerto rican artist audri nix, whose unofficial remix for crow first caught the attention of the band for its similarities to their own aesthetic and magpie-like approach to art. sung all in spanish, audri provides original lyrics just keeping the band’s beats. the 12inch is cut & mastered by matt colton

here is what being with your back to a psychedelic wall and deciding you got to go diy makes you do. raw, crisp, and simply honest 115 bpm organ techno with a distorted soul. two takes of it featuring a left-handed chord intro so surreal the exposition will softly draw you in before you realise you just got caught in drum loop heaven. this is a white label release with music played from the heart and live recorded straight to l/r on an old used cassette tape. mastered and cut by matt & barry at alchemy in london. the record comes in a black cover with a handwritten and burgundy riso printed 120g paper inlay.

qnete joins the lobster theremin gang with a trek through inspired drum machine-based house tracks on this debut white label. channeling the spirit of chicago, detroit and new york in a dash through long-buried catacombs to find the lost pads of yore, qnete imbues his sound with melodies so jacking yet so yearning that they belie his young age and short discography. melancholy moods come and go like waves of a fever, leaving us confused and isolated, yet somehow comforted by the overriding desire and optimism left over. a release for the secret lovers, the lost individuals and anyone who s ever been caught dancing in the dark alone.

after starting to produce almost a decade ago and steadily releasing music since 2010, eastcolors has worked with some of drum & bass finest talents including enei, clarity and with big upcoming names such as traffic & noel. often an unsung hero of the scene, eastcolors debut album on demand records sees him rise as one of russias forefront producers. *lighthouse* is without doubt one of 2015s most honest and diverse albums of the year, covering drum & bass and beyond in a versatile and uncompromising way only eastcolors can. a vision of a young artists music translated into a magnificent 16 track journey, this lp is the rare type of release that is enough to satisfy serious music fans, producers and djs worldwide. it is about time the world woke up to eastcolors. the 6-track 2x12 inch includes the full album on cd.

bon voyage is an ever-shifting constellation of musicians led by paris-based producer and bass player adrien durand. durand was first spotted in 2009 by jamal moss, boss of renowned chicago label mathematics recordings, which released durand s solo effort (impersonnel naviguant) under the moniker les aéroplanes. that first record, done using a very academic house music setup consisting of an eight-track cassette recorder, a drum machine, a cheap analog synthesiser and an even cheaper sampler, caught the attention of such dj s as beautiful swimmer and toby tobias. for his bon voyage project, durand recruited drummer nicolas ballay and keyboard player/engineer maxime kosinetz. while opening for legendary italian dj daniele baldelli, the band caught the attention of chicken lips s steve kotey, who released bon voyage s first two records (sorciers des aéroports, l imposture) on stendec, a new imprint created for the occasion

(justin k broadrick as jk flesh reshape / black rain rmx) rmxs for ands cosmic microwave background, that caught the attention for its raw brutality as well as its grainy sci-fi background concept.

(zeitgeber / sleeparchive / o/h rmxs) rmxs for ands cosmic microwave background, that caught the attention for its raw brutality as well as its grainy sci-fi background concept.

nsdos is back with some new toys from outer space - on this ep we hear six figments of his twisted imagination, caught live .... on this very dense and captivating ep, kirikoo des goes back to the 90 s with some cut up electronica flair (-christine +2-, -dona j haraway-) reminiscing oval s work or some experimental shake shakir tunes. the longest tracks though feels closer to a club from the future with some eerie pads (-fa-) and liquid rhythms patterns typical of the nsdos touch we love (-yuko-). overall this ep is a much cerebral effort and yet still keeps a vibrant and gorgeous organic side to it. demanding the full attention of the listener, the reward in the end is a total bliss taking us in a deep dimension. -space is the place- as the master sun ra once said

for pressure traxx011, we are really pleased to welcome one of our favourite artists to the label. barac first caught our attention as a member of the romanian supergroup noi doi, but he decided to go solo to perfect his vision of the finest electronic music. having already released on some of the coolest record labels and with an ever presence in the record bags of your favourite dj s. it is with much anticipation that we present barac and his first ep on pressure traxx. his verniana ep is due to be released in april 2015 in a record shop near you!

every home should have this record from the 2 of the originators of deep house! virgo 4 were kicking out the most melodic, fathoms deep, complex emotional machine music before anyone else (them & larry obviously!) had caught up with them & the do you know who are? ep from 1989 is as flawless as it gets, often imitated over the years but never, ever bettered

four track ep with full of disco

introducing the album comes track coma with thousands supa grove percussions and intergalactic keys driving you to a heart of a universe on supersonic speeds. next comes the viking and continues the ep with a serious intellectual sound containing analog vibes mixed with echo keys and drums. a track called akranes brings your mind to a called train passing through snowy siberia with million thoughts and a hot tea in a hand with eyes caught up by snowy fields behind the window. mud gives a shot and brings u down after all the illusions u have during listening an ep, this track will make you shaking in 2-3 seconds so hold on! a true analog sound in a quality pack is that what you prefer to get inside the monsters ep s. monster power!

mostly known for her work with trinity & beyond, having releases with the likes of luke hess, alexkid, xdb and klartraum. nightime drama brings to you a a new solo ep. from the australian based producer along with remixes from eric cloutier and label boss vibrio. for those of you who were in berlin in recent times may have caught one of her brilliant live or dj sets at tresor or studio r as well as playing at harry klein in munich.

limited pressing of 250 with hand-made covers
the third release published by the vfmm, this time teaming up with the befriended label kashual and its mastermind - a brother from a different mother - thome thomp from berlin.the record encompasses a broader scope of electric music productions and still clings to the love and passion for analogue hardware.on side a of the record we again are lucky to present another bizarre yet gripping voodoo stomper by our very beloved bufiman. we are also very excited to welcome the very debut of a rather talented and promising project called forum whose uncompromising and raw acid sound is tearing every dance-floor to bits.the flipside kicks off with a very deep-laid and mellow analogue soundscape produced and arranged by the renown and ingenious rvds. utterly hypnotized by this track, the listener will then be caught and dragged down by the harsh and very stark atmosphere of the fairly industrial but emotive techno production of our mate thome thomp.you all are advised to keep an eye out to this record as it will be gone very quickly.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
disco meze ep impresses quickly with an uptempo collaboration headed by vinyladdicted. nym is a diggers delight, looped guitars and strings with a heady solo courtesy of jean claude gavri. pixelated drop the bpm and acid with their sublime re-edit of caught up in the rapture. in contrast to the relative obscurities on the a-side, the flip is packed with time-tested, tried-and-true sampling courtesy of alkalinos day to day and the silver riders hidden rung.

ocha records latest vinyl release introduces two gems from dj kemits (also known as ½ of kemeticjust) full length release everlasting. the former dj and producer for the grammy award winning group arrested development brought his soul sensibilities to this project and caught the attention of carlos mena who enlisted the help of some real dance music heavyweights to rework two of the tunes.

ronald burrell s reputation as deep house royalty has long been solidified throughout the years having released on many legendary labels since the late 80 s including nervous, nu-groove, strictly rhythm & many more. working both solo and alongside his brother rheji his output has always caught the interest and ears of dance music aficionados world-wide with a heady mixture of gospel, soul / r&b, jazz, & garage heavily informing his sound. surprising as it is, -it s a boy- was never released, only ever existing as a test pressing! the 4 track ep takes in all the musical influences listed above and flips them into some seriously deep territory. opener -journey- is an epic jam punctuated by an 808 cowbell, beautiful pads, strings and ronald s voice asking us to join him on a journey through our own minds. second cut -feelin jazzy- picks up the pace a little, a stripped back rhythm blessed with some choice, chopped up jazz samples and vocal stabs keeps things moving in the right direction. over on side-b we are treated to the deepest groove of -bedtime story-, which has all the trademarks of a classic burrell production, soulful vocals, melodies and crisp drum programming. closing track -the crib- rounds things with off with a stomping church inspired organ groove, an up-lifting end to the ep. as mentioned above, this is the very first time this underground house classic has ever been released! this record is a real collectors piece and has commanded collectors prices on-line in the past, a real rarity. it has been re-mastered and re-pressed in conjunction with ronald burrell from his original dat tapes and all original label artwork has been preserved.

sometimes, there is a certain attention for a new artist and you can actually feel that this one is about to go through the roof. this is exactly the feeling we have with few nolder right now. with releases and tracks on boso, suol, cloud vision and not to forget his little summer hit *if* on connaisseur in late august, the vilnius resident has caught quite some attention over the last months. now, he completes this successful and busy year with his frst full ep on connaisseur called *moli*, featuring three new lovely tracks.

coming from the darkest depths of the south american jungle but raised in the city of utrecht in holland, julian alexander is a name that might not have fallen on many ears as yet but we guarantee you ll be hearing a lot of this 18 yr old powerhouse in the future. with a background in jazz and a trained multi instrumentalist, exploring hip hop and underground house and uk garage, julian soon started to craft a unique style and put his own slap and funk into the mix. focusing on a deep powerful sound with plenty of pound he quickly caught our attention as his meaty, stripped down minimalism explores an even darker chamber of the dungeon . julian s hustlin ep delivers the kind of tracks that keep the floor moving, essential tools that can be the perfect transition or the spark that lights the fuse on on the dance floor. can you believe he made the track undrg at the ripe old age of 16 years old. it really blows our minds to think he made it 2 years ago and it still sounds fresh and futuristic. as with all our releases these jams are tried and tested and proved to be very useful for building the tension and getting those fist pumping. their solid, track, bass heavy vibe will have no problem bothering even the biggest bass bins

american (but berlin based) stewart walker returns with his new album release -ivory tower broadcast-!

304 is d tiberios ode to his mothers home. the address is both personal and anonymous, providing an entry point into the bleak emotional spectrum of daily existence and its anomalies. partial to concepts of imperfection, many tracks include lo-fi audio clips sampled from youtube, television and other non-musical sounds that may normally go unnoticed in our surroundings. the textures are burnt and the rhythms disrupted, yet each track is constructed to achieve an unconventional harmony. *raver 5* has caught the attention of both critics and fans for its mature, multi- genre production. *let her* and *gone*, featuring natasha agrama, pair sultry female vocals with heavy, atmospheric beats.
the double vinyl includes a download code.

33-10-3402 is a code name for nenad markovic, an imaginative and limitless musician and producer from belgrade, serbia. this release is the second in a trilogy of opium den and whore-house inspired singles entitled mecanica. iii33 features a disorienting vocal, that repeats as if caught in a psychedelic cycle your mind cannot break, accompanied by stuttering percussive elements and metallic textures. cool down is a post-apocalyptic drum circle that keeps your groove alert as it moves between accent placement and eventually builds into a full force bad acid trip. be careful with this record.

for those who caught furness four 4 the floor ep, and are familiar with his work, this release is further evidence of how much of a fledgling purveyor of deep grooves and heavy-hitting rhythms furness is.

the remastered 2014 edition of the iconic 1995 album by ac/dc.

nausika are a duo, based in leeds, that are quickly rising in the ranks pushing their own blend of dark, stripped back drum & bass. after meeting at university only a year ago, they have already caught the attention of many of the top flight including teebees subtitles music. at only 21 and 19 years old, their futures bright, but their sounds quite the contrary.

the name sabota comes from the infamous area in nelson bc, where kids congregate late at night to smoke weed, hook up and watch the sun come up. both max ulis and robbie slade (of humans) both have (if somewhat indirect) roots in the area, making it a fitting concept for their collaboration. with the release of next time on discobelle, sabota immediately caught the attention of journalists and fans alike, and before any kind of formal release they have played sxsw, sled island in calgary, vancouver international jazz festival with nosaj thing, and symbiosis gathering. the two full-time music collaborators have been making ethereal goodness.

180 g vinyl! a real hip hop classic you ll all know this classic tracks - a must have

in the long line of belgian talent finding a home on wph (think san soda, lemakuhlar, metrobox, locked groove, …) we are pretty sure that kiani & his legion (aka thomas neyens) will claim his rightful place within a couple releases. because just like the other family members kiani has his very own distinct sound. totally kiani and also totally wph. kiani & his legion should have already caught your attention with his free *records & culture* vinyl in wphs v.i.p. series and he was also responsible for *legions of the east* on the recent wph summer special 2013. being a vinyl lover himself it seemed fitting that we release his full e.p. debut on vinyl only (grey coloured & marbled), containing four tracks that will show you the full spectrum of his house music universe. the key words in that universe are melody, breakdowns, surprise and emotion. it is pointless to describe the tracks one by one, simply listen, enjoy and most of all…dance!

vinyl only! alien rain is a tainted techno project of milton bradley. under this alias the berlin based artist has served up disgruntled electronics and downright deranged acid. panel beaten 90s tracks that pervert and pummel. floor a-bombs that leave behind nothing but a 303 wasteland. mr bradley has caught the attention of deep sound channel and been called upon to deliver his style of hypnotic fallout techno. two sealed vials of audio venom are the result.